Allison Turrell

Allison Turrell

Executive Producer View Details
Lyman Hardy III

Lyman Hardy III

Chief Sound Designer and Supervising Sound Mixer View Details
Parke Gregg

Parke Gregg

Chief Colorist and DI Editor View Details
Allison Turrell

Allison Turrell

Executive Producer

Since 2008, Allison has marshaled forty-plus feature films and series across the finish line to Cannes, Berlin, Sundance, SXSW, Tribeca and many other film festivals along with delivery to PBS, Netflix, Amazon, Facebook, YouTube, Hulu, iTunes and various theatrical runs. She’s the one to call to get the party started. She was recently nominated for an EMMY in “Outstanding Sound” for her work on TOWER and an honoree on StudioDaily’s first ever roster of Exceptional Women in Production and Post (2018).

Prior to Stuck On On, she worked as a freelance photographer and graphic designer, authored interactive Photoshop CS training videos, co-taught courses in photography and video art, typeset obscure academic psychology journals, proofread K-5th grade reading textbooks and was a sous chef in college. Her photography has been exhibited in Austin, Baltimore, Germany and published in BuzzFeed, The Boston Review, Locus, Guernica, NowPublic and the Chicago Schmap Guide. She is currently working on a novel.

Continuing Obsessions: Nature Live Cams, TAROT decks and Yotam Ottolenghi’s Recipes.

Lyman Hardy III

Lyman Hardy III

Chief Sound Designer and Supervising Sound Mixer

Winning a Celis beer jingle contest in 1999 launched Lyman’s commercial audio career. He used the proceeds to buy a Kurzweil 2000 and worked exclusively as an electronic composer and sound designer on campaigns such as Kinko’s, State of Texas, Southwest Airlines, Golfsmith, Lollapolooza, Livestrong, Norwegian Cruise Lines and Ronald McDonald House.

In 2009, sound design and mixing became his primary focus as commercial custom music was replaced by stock music. Some feature highlights include Jeff Nichols’ Take Shelter (2011) and Mud (2012), The Miller Brothers’ All the Birds Have Flown South (2016) and Keith Maitland’s documentary TOWER (2016). He also mixed and SFX edited Richard Linklater’s Hulu series Up to Speed (2012) and Rooster Teeth’s award winning anime series RWBY (Seasons 1-4), YouTube stars—Planet Slow Mo (2018–2019), and remixed Red vs. Blue Seasons 1-10 (2012). He was recently nominated for an EMMY in “Outstanding Sound” for his work on TOWER .

Current Bands: Drummer for party starters Pong and one of the masterminds behind the electronic maximalist multimedia extravaganza Total Unicorn. Co-founder of Rolling Ryot, a spatial sound collective. Recent installations include Psychoacoustic Cinema at The Color Inside—James Turrell UT Skyspace (2018) and Rainforest Reverb (2019) at this year’s Fusebox Festival .

Current Obsessions: Modular synthesis, cataloguing coquí frog orchestras and reading obscure synth manuals.

Parke Gregg

Parke Gregg

Chief Colorist and DI Editor

Originally a student of architecture who backpacked around the world, Parke won his first Summit, Addy and Telly awards on the client side as Tivoli’s Manager of New Media. In 1999, he launched Pointsphere, a new media consulting firm before he jetted off to Saipan to scuba dive, run an aerial kite photography business and moonlight as a private eye. Returning the mainland in 2004, he was the Post Production Supervisor on the CNBC television series American Made and Associate Producer for the Emmy Award Winning PBS documentary series The State of Tomorrow.

In 2007, his focus shifted to color and DI, with over forty film and TV credits under his belt. Some highlights include Richard Linklater’s Everybody Wants Some (2016), Boyhood (2014), Before Midnight (2013), the Hulu series Up to Speed (2012), and Rooster Teeth’s series Planet Slow Mo (2018-2019) and gen:LOCK (2019). He was also the editor and colorist for Jeff Nichols’ Take Shelter (2011).
 
Ongoing Obsessions: Astronomy, tricking out flying-robots and riding electric skateboards with his son.

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