Origin Story

Stuck On On was formed in 2007. We baffled our colleagues by promoting a tapeless workflow and offering both audio and color under one roof. We were one of the first post houses in Austin to transcode RED footage and make DCPs. We edited and sound designed Take Shelter, Jeff Nichols’s critically-acclaimed film which won the Critics Week Grand Prize and the FIPRESCI Prize. We were the 13th year of Richard Linklater’s 12-year, Oscar-nominated cinematic feat Boyhood.

We are resourceful and nimble, curious and realistic. We are content-junkies, creatives, nerds, and problem-solvers. Our approach and tools evolve to meet the moment. We listen, ask questions, and collaborate. We approach our work with an open mind, so we can try to solve technical and creative puzzles at the same time. Every project is unique and keeps us on our toes.

Post production is a moving target. Our workflows, equipment, software, and humans unite to keep the flow tight and the process fun. We aim to exceed your expectations and hopefully (fingers-crossed), we blow your mind!

We are STUCK on ON.

stuck on on studio
A group of people smiling in a setting with colorful and vibrant lighting, including red, green, and purple lights, likely at a nightlife venue or party.
The American Southwest documentary Fin and Fur Films Ben Masters nature docs sound design snake

TALENT & CO-FOUNDERS

Parke Gregg and Kristy Gregg dressed up for a party.
Allison Turrell with two goats.
Lyman Hardy Chief Sound Designer Founder Stuck On On Post Production Austin

  • Executive Producer + Co-Founder

    Since 2008, Allison has marshaled content across the finish line to festivals like Cannes, Berlin, Sundance, SXSW, Tribeca along with delivery to PBS, Netflix, Amazon, YouTube, Hulu, social, broadcast and various distributors of all sizes and shapes. She was nominated for an EMMY in "Outstanding Sound" for her work on TOWER and an honoree on Studio Daily’s first ever roster of Exceptional Women in Production and Post. She served as a judge for the News & Documentary EMMYs and SXSW. She’s also been a guest speaker and hosted several film festival panels.

    Prior to Stuck On On, she worked as a freelance photographer and graphic designer, authored interactive Photoshop training videos, co-taught courses in photography and video art, typeset obscure academic psychology journals, edited and proofread K-12 reading textbooks, and sous chef’d. Her photos have been exhibited in Austin, Baltimore, Germany and published in BuzzFeed, The Boston Review, Guernica, and the Chicago Schmap Guide. She is currently working on a novel.

    Current Obsessions: dance rollerskating, James Turrell Skyspaces (no relation), and Alison Roman recipes.

  • Chief Sound Designer + Co-Founder

    Winning a Celis beer jingle contest launched Lyman’s commercial audio career. He used the proceeds to buy a Kurzweil 2000 and composed electronic music for ad campaigns such as Southwest Airlines, Golfsmith, Lollapolooza, Norwegian Cruise Lines, and Ronald McDonald House.

    In 2010, sound design and mixing became his primary focus. Feature highlights include Jeff Nichols’ The Bikeriders,Take Shelter and Mud, Keith Maitland’s documentaries TOWER and Dear Mr. Brody and Ben Masters's Deep in the Heart: A Wildlife Story and The American Southwest. He mixed Rooster Teeth's award winning anime series RWBY Seasons 1-4. He sound designed QCODE's narrative podcasts—The Beautiful Liar and Hank the Cowdog in Atmos and binaural for Apple. He was nominated for an EMMY in "Outstanding Sound" for his work on TOWER.

    Bands include: Ed Hall, Pong, Total Unicorn, Thor & Friends and Soundcult. Co-founder of Rolling Ryot, a spatial sound collective. Recent installations include Ghostline X, Dumpster Fire, and Rainforest Reverb 2.0.

    Current Obsessions: Modular synthesis, cataloguing birdsong, and reading obscure synth manuals.

  • Chief Colorist + Co-Founder

    Originally a student of architecture who backpacked around the world, Parke won his first Summit, ADDY, and Telly awards on the client side as IBM Tivoli’s Marketing Manager of New Media. In 1999, he launched Pointsphere, a new media consulting firm before he jetted off to Saipan to scuba dive, run an aerial kite photography business, and moonlight as a private eye.

    Returning the mainland in 2004, he was the Associate Producer for the Emmy Award Winning PBS documentary series The State of Tomorrow.

    In 2007, his focus shifted to color and DI, with numerous film and TV credits under his belt. Some highlights include Richard Linklater's Blue Moon, Apollo 10 1/2: A Space Age Childhood, Everybody Wants Some, Boyhood, Before Midnight, Up to Speed, and Rooster Teeth's series Planet Slow Mo and gen:LOCK. He was also the editor and colorist for Jeff Nichols’ critically acclaimed film Take Shelter and executive producer and editor of the QCODE podcast Hank the Cowdog. He has been a featured guest on many film festival panels.

    Ongoing Obsessions: Rocket launches, tricking out flying-robots, restoring vintage motorcycles, lighting design, and riding electric skateboards with his son.